| Commercial Representation | |
| 1995-present | Wynick/Tuck Gallery, Toronto, Ontario |
| Solo Exhibitions | |
| 2009 | “Fitted”; Wynick/Tuck Gallery, Toronto, Ontario (Oct. 17 - Nov. 7 2009) |
| 2007 | “Construcciõn”, Galeria de Arte Universal, Santiago de Cuba, Cuba |
| 2005 | “Conundrum” Wynick/Tuck Gallery, Toronto, Ontario |
| 2003 | “Traffic”; Durham Art Gallery, Durham, Ontario |
| 2002 | “Fast Lane”; Wynick/Tuck Gallery, Toronto, Ontario |
| 1999 | Wynick/Tuck Gallery, Toronto, Ontario |
| “Champs de ville”; Centre d’art de l’Université de Sherbrooke, Sherbrooke, | |
| Quebec | |
| 1998 | “Autonyme”; Glendon Art Gallery, York University, York, Ontario |
| 1995 | Art Gallery of Hamilton, Hamilton, Ontario |
| Agnes Etherington Art Centre, Kingston, Ontario | |
| 1994 | Gallery Workscene, Toronto, Ontario |
| 1993 | Galerie Les trois points, Montreal, Quebec |
| Artcite Inc., Windsor, Ontario | |
| 1990 | Galerie Les trois points, Montreal, Quebec |
| 1988 | Kingston Artist's Association Inc., Kingston, Ontario |
| 1987 | Galerie Noctuelle, Montreal, Quebec |
| Zack Gallery, York University, Toronto, Ontario | |
| 1985 | Galerie Skol, Montreal, Quebec |
| Art Gallery of University of Moncton, Moncton, New-Brunswick | |
| 1984 | Galerie Sans Nom, Moncton, New-Brunswick |
| 1976 | Cultural Centre of Stanstead, Stanstead, Quebec |
| Group Exhibitions | |
| 2010 | “2 >1”; Site Specific Intervention in collaboration with fellow artist Sandra Rechico; |
| “Art +School [DISMISSED]”; featuring selected artists who intertwine their artistic | |
| practices with work as teacher Toronto, Ontario | |
| 2009 | New work by: Colette Laliberté, Angela Leach, Dyan Marie, Monica Tap, |
| Wynick/Tuck Gallery, Toronto, Ontario, Daimler Financial Services, Canadian | |
| Headquarters in Mississauga | |
| 2008 | “La Galerie Trois Points a vingt ans”; Montreal, Quebec |
| 2007 | XXVII Festival of Caribbean Culture, Salon International, Galerea Oriente, |
| Santiago de Cuba, Cuba | |
| 2005 | “Informal Ideas: 05-04: (Fait), Winick/Tuck Gallery, Toronto, Ontario |
| “Informal Ideas 04:05 (please press landscape)”, Summer group exhibition, | |
| Wynick/Tuck Gallery, Toronto, Ontario | |
| 2004 | Triangle Artists’ Workshop 2004, Brooklyn, New York |
| 2003 | “Blender”, Mix Magazine, An exhibit of 17 of Canada’s Hottest Visual Artists |
| celebrating MIX Magazine’s MIX, Gallery, Toronto, Ontario | |
| Musée des beaux-arts de Sherbrooke, Sherbrooke, Quebec | |
| 2002 | “Regard”; Touring exhibition, curator Annie Molin Vasseur: |
| Galerie vaste et vague de Carleton, Carleton, Quebec | |
| Glendon Art Gallery, York University, York, Ontario | |
| Galerie du nouvel Ontario, Sudbury, Ontario | |
| 2000 | “INFORMAL IDEAS : 00.3 (Play); Wynick/Tuck Gallery, Toronto, Ontario |
| “Fresh Paint”; Wynick/Tuck Gallery, Toronto, Ontario | |
| 1999 | INFORMAL IDEAS : 99.1 (Preview 1999); Wynick /Tuck Gallery, |
| Toronto, Ontario | |
| “TSA30”; Toronto School of Art 30th Anniversary Faculty Retrospective, | |
| York Quay Gallery, The Harbourfront Centre, Toronto, Ontario | |
| 1998 | “Invitational”; Cold City Gallery, Toronto, Ontario |
| “Layers”; Wynick /Tuck Gallery, Toronto, Ontario | |
| INFORMAL IDEAS : 98.2 (Degrees of Abstraction); Wynick /Tuck Gallery, | |
| Toronto, Ontario | |
| 1997 | “espace · objet, colette laliberté & sandra rechico”; The Art Gallery of |
| Peterborough, Ontario | |
| 1996 | “Azul”; Painting Installation within the space of the Wynick/Tuck Gallery, ARCO, |
| Madrid, Spain | |
| “INFORMAL IDEAS : 96.5 (Moving Planes)”; work in situ “Still-Blue”, | |
| Wynick/Tuck Gallery, Toronto, Ontario | |
| “INFORMAL IDEAS : 96.3 (The Middle Show)”; Wynick/Tuck Gallery, | |
| Toronto, Ontario | |
| “Atopia”; Curator Jeanne Musiol Video Installation, collaboration with Ron Loranger, François Déchesne Symposium on the topic of “Exiguity” organized by the Bureau des regroupements des artistes visuels de l’Ontario –Bravo, Darling Building, Toronto, Ontario | |
| 1995 | “Tourism”; Curator Andrew Hunter, Art Gallery of Peel, Brampton, Ontario |
| Wynick/Tuck Gallery, Toronto, Ontario | |
| 1994 | “An Emerging Presence”; curator Joseph Wyatt, Gallery ArtSpace, University of |
| Waterloo, Waterloo, Ontario | |
| “Gallery Artists”; Galerie Les Trois Points, Montreal, Quebec | |
| 1991 | The Drabinsky Gallery, Toronto, Ontario |
| 1988 | “Trois artistes autour d'une table; Galerie Les trois points, Montreal, Quebec |
| 1987 | “Femmes-Forces”; Musée du Québec, Quebec |
| 1986 | “Mémoires Différentes/Different Memories”; Language Plus, Alma, Quebec (two- |
| person exhibition) | |
| “5 Artists”; Gallery 76, Toronto, Ontario | |
| 1985 | “Dislocation”; Curator Lorne Falk, Walter Phillips Gallery, Banff, Alberta |
| 1984 | “Hiver De Force; Hommage à Réjean Ducharme”; Galerie du Vieux Palais, Saint- |
| Jérôme, Quebec | |
| 1981 | “Art et Société”; Musée national des beaux-arts du Québec, Quebec |
| 1980 | Trent University, Peterborough, Ontario |
| 1976 | Galerie Media, Montreal, Quebec |
| 1975 | Galerie Laurent Tremblay, Montreal, Quebec |
| Comme Galerie, Quebec City, Quebec | |
| “Art-Femme”; Musée d'art contemporain, Montreal, Quebec | |
| Screening Work | |
| 2009 | “The Barn is on Fire”; Foreman Art Gallery, Bishop’sUniversity, Lennoxville, Qc; Video |
| documentary where five members of my family speak of the 1995 fire that destroyed the barn, the herd of cattle and the summer and fall harvest; produced for the exhibition The Rustification of Henry Thomas Brown by Andrew Hunter with Crystal Mowry and myself. | |
| 2008 | “What’s the Name of It?” Interactivos? 08 Vision Play, MediaLab-Prado, Madrid, |
| Spain; Interactive video projection produced in collaboration with artist Simone Jones and presented at the entrance of the Medialab-Prado, Madrid on opening night. The projection changed configuration and intensity as the daylight waned. | |
| Artist Residency | |
| 2008 | Cape Farewell Youth Expedition 2008; Expedition to study the impact of climate |
| change on the Arctic, British Council, Ottawa, Ontario | |
| Interactivos?’08 Vision Play, MediaLab-Prado, Spain | |
| 2004 | Triangle Artists’ Workshop, Brooklyn, New York |
| 1999 | Paris Studio, Cité internationale des arts, Paris, France |
| Cité Cézanne à Pontoise, École nationale supérieure d’art de Cergy-Pontoise, France | |
| 1984 | Banff Centre of the Arts, Banff, Alberta |
| 1982 | Professional training workshops, Paris, France |
| Public/ Private Commissions | |
| 2000 | “Place to Place”; On-site painting installation at the residence of a private art collector, |
| Toronto, Ontario | |
| 1995 | Projet d'Intégration des arts à l'architecture; Ministry of Cultural Affairs, commissioned |
| piece for École Saint-Patrice, Magog, Quebec | |
| 1992 | Projet d'intégration des arts à l'architecture; Ministry of Cultural Affair, commissioned |
| piece for École Sainte-Cécile, Lac Mégantic, Quebec | |
| Curatorial Projects | |
| 2008 | "Penance & Devotion", Gareth Bate, Glendon Gallery, York University, Toronto |
| 1992 | “August and Portrait Oval”; John Armstrong and Ben Wamsley, Artcite, Windsor, |
| Ontario | |
| 1991 | Valérie Gill and Barbara Claus; Mercer Union, Toronto, Ontario |
| Artists’ Talks | |
| 2008 | “Interactivos : Vision Play”; Medialab-Prado, Madrid, Spain |
| Guelph University, 4th year drawing class, Guelph, Ontario | |
| Galeria de Arte Universal, Santiago de Cuba, Cuba | |
| 2005 | Wynick/Tuck Gallery, Toronto, Ontario |
| 2002 | Durham Art Gallery, Durham, Ontario |
| TV Interview; “Fou D’art”; Mega TFO, Toronto, Ontario | |
| 2000 | Collector’s Residence, Toronto, Ontario |
| Waterloo Universtiy, Waterloo, Ontario | |
| Guelph University, Guelph, Ontario | |
| 1998 | Glendon Art Gallery, Glendon College, York University, North-York, Ontario |
| 1997 | The Art Gallery of Peterborough, Peterborough, Ontario |
| 1996 | “How the Painting Deserted the Easel”; Queen’s University, Kingston, Ontario |
| 1994 | Bravo Sud, Toronto, Ontario |
| Sheridan College, Oakville, Ontario | |
| 1993 | “Imaging the Urban”; Windsor Postcard Project, Windsor, Ontario |
| University of Windsor, Windsor, Ontario | |
| 1988 | Language Plus, Alma, Quebec |
| K.A.A.I. Gallery, Kingston, Ontario | |
| 1987 | J. Zack Gallery, York University, Toronto, Ontario |
| 1985 | University of Moncton, Moncton, New-Brunswick |
| University of Quebec at Montreal, Montreal, Quebec | |
| Guest Lecturer | |
| 2009 | “Cape Farewell Youth Expedition 2008, Key Speaker at the CIS Independent Schools |
| Visual Arts Conference, McMichael Gallery, Kleinberg, Ontario | |
| “Drawing in Contemporary Art Practice,” John B. Aird Gallery, McDonald Block, | |
| Toronto, Ontario | |
| 1992 | “What is painting?”; University of Windsor, Windsor, Ontario |
| 1991 | “Painting in the 80's”; University of Windsor, Windsor, Ontario |
| 1990 | “French Contemporary Art”; Art Gallery of Ontario, Toronto, Ontario |
| “L'art de Borduas et les Automatistes”; Art Gallery of Ontario, Toronto, | |
| 1989 | Ontario |
| 2003 | Panellist; L’AGAF, National Art Gallery, Ottawa, Ontario |
| 2003 | Guest Artist; Fourth year painting group, final critique, University of Guelph, Guelph, |
| Ontario | |
| Publication | |
| 2009 | “The Culture of Climate Change,” co-written with Larissa Kostoff, OCAD Sketch Magazine |
| Reviews/ Bibliography | |
| 2010 | R.M. Vaughan, The Exhibitionist, “Art School (Dismissed)”, The Globe and Mail, |
| 2009 | Rhonda Olson, Colette Laliberte@ Wynick/Tuck Gallery, |
| 2008 | Eduardo Navas, The State Of Swift Production: Interactivos?’08 (Part 3 Of 3), |
| Remix Theory, online publication | |
| 2004 | Triangle Arts, Catalogue Triangle Artists’ Workshop 2004, Brooklyn, NY, 2006 |
| 2006 | John Armstrong, “Colette Laliberté, Wynick/Tuck Gallery, Toronto” Canadian Art, , |
| Volume 23, Number 1 | |
| 2005 | Gary Michael Dault, Gallery Going, The Globe and Mail, September 10, 2005 |
| Gary Michael Dault, “A journey through the wall and back again”, Gallery Going, | |
| The Globe and Mail, September 17, 2005 | |
| 2004 | MIX, MIX Gallery, “Vectorize, Transformed, Cut, Scaled, and Printed, the computer- |
| generated copy is then reworked”, V29.3 Winter 2004 | |
| 2002 | Hirschman Thomas, Now Critics’ picks, “Tech Touch”, Fall Guide 2002, Now, 2002 |
| Annie Molin Vasseur, Catalogue “Regard”, La galerie du Nouvel-Ontario, 2002 | |
| 1999 | Catalogue, “En marge”, BRAVO, Bureau des regroupemens des artistes visuels de |
| l’Ontario, Edition d’art le Sabord, Collection excentriq, HLN, Sherbrooke, 1999 | |
| Gary Michael Dault, “Colette Laliberté at the Wynick/Tuck Gallery”, The Globe and | |
| Mail, December 1999 | |
| Hirschmann Thomas, “New in Galleries”, National Post, November 1999 | |
| John Massey, Catalogue “TSA 30”, Toronto School of Art, Toronto, Ontario, 1999 | |
| 1998 | Sean Russo, “Suburban space gets time at the Glendon Gallery”, Bayview Post, |
| Toronto, Ontario, December 1998 | |
| Rose Bergeron, “Colette Laliberté à Glendon —AUTONYMES”, L’Express de | |
| Toronto, December 1998 | |
| 1997 | Catherine Osborne, Catalogue “espace · objet”, The Peterboroug Art Gallery, |
| Peterborough, Ontario, 1997 | |
| 1996 | Ihor Holubizky, Catalogue “Art Gallery of Hamilton 1994-1996, Hamilton, Ontario, |
| 1996 | |
| 1994 | Andrew Hunter, “The Tourist”, The Art Gallery of Peel, Peel, Ontario, 1994 |
| 1995 | Christopher Moore, “Visiting Artist's exhibit opens at the Agnes”, The Queen's Journal, |
| Kingston, Ontario, January 1995 | |
| Myriam Gagnon, “Colette Laliberté une Québécoise à Toronto”, L'Actualité Médicale, | |
| Montréal, Quebec, January 1995 | |
| 1993 | Raymond Bernatchez, “Deux mondes mais une vision contemporaine de l'art d'ici et d'ailleurs”, La Presse, Montreal, May 1993 |
| 1991 | Kate Taylor, “Art About”, The Globe and Mail, Toronto, August 1991 |
| 1987 | Catalogue “Femmes-Forces”, Musée du Québec, Quebec, September 1987 |
| Claire Gravel, “Femmes-Forces : il n'y a pas d'art féminin”, Le Devoir, Montreal, | |
| October 1987 | |
| 1985 | Lawrence Sabatt, “Quebec's Female Artists Get Their Due”, Special to the Gazette, The |
| Gazette, Montreal, May 1985 | |
| 1985 | Rivet, Michel, Catalogue “Hiver de Force”, La Galerie du Vieux Palais, St-Jérôme, |
| Quebec, 1985 | |
| 1984 | Lorne Falk, Catalogue “Dislocation”, Banff, Alberta, 1984 |
| 1981 | Cataloque “Art et Société 1975-1980”, Musée du Québec, Edition |
| Intervention, Québec, 1981 | |
| Awards/ Grants Selected | |
| 2005, 2003, 2002, 2001, 1991-97, 1989-88 | |
| Ontario Arts Council: Visual Art Grant – Mid Career, Exhibition Assistance Grant | |
| 2002 | Sheridan College, Professional Development Grant |
| 2004, 1999, 1998, 1996, 1985, 1975 | |
| Canada Council for the Arts: Travel Grant, Mid-Career Grant, Paris Studios Grant, C | |
| Grant, Project Cost Grant, Exhibition Grant | |
| 1999 | Toronto Arts Council, Visual Artists Grant |
| 1992 | Ontario Grant Studies, Ministry of Education |
| 1991 | University of Windsor, Ontario, Material Grant |
| Education's Award for “Beyond the Museum” course, AGO, | |
| Art Galleries Ontario Association | |
| 1990 | Ministry of Culture and Communications, Ontario/Quebec Cultural Exchange |
| Program Grant | |
| 1985 | Ministry of Cultural Affairs, Quebec, Accessibility Grant |
| 1984 | First Prize ex aequo, “Hiver de force, Hommage à Réjean Ducharme”, Saint Jérôme, |
| Quebec | |
| 1973 | Best in Print Making, “Les Amis de l’art”, U.Q.A.M., Quebec |
| 1972 | Prize from Prime Minister, Quebec – Robert Bourassa |
| Collections | |
| Public Collections: Canada Council Art Bank; Banque de prêts d'oeuvres d'art du | |
| Québec; Musée des Beaux-Arts de Sherbrooke | |
| Private collections: Canada; France; Germany; Spain | |
| Memberships / Affiliations | |
| 2002-2009 | Members of the Art and Art History Program Advisory Committee (PAC); UTM/ |
| Sheridan Institute Collaborative Program, Mississauga, Ontario | |
| 1994-2003 | Art Gallery of Ontario Artists with their Work; Art Gallery of Ontario, Toronto, |
| Ontario | |
| 1988-present | Member of The Power Plant Contemporary Art Gallery, Harbourfront Centre, |
| Toronto, Ontario | |
| 1986-present | Member of Mercer Union, Centre for Contemporary Art, Toronto, Ontario |
| 1990-1992 | Board of Directors; Mercer Union, Centre for Contemporary Art, Toronto, Ontario |
| 1980-82 | Active member; Visual Art Collective, Montreal, Quebec |
| 1983 | Co-founder and director; NUMERO, Artist Book Publications, first publication, |
| November 1983, Montreal, Quebec | |
| Jury | |
| 2004 | Jury Member; Grants to Visual Artists: Senior, Ontario Arts Council |
| 2003 | Jury Member; Grant to Visual artists: Emerging Level, Canada Arts Council, Ottawa, |
| Ontario | |
| 1998 | Jury member; Scholarship for Best Female Painter, Ontario College of Art and Design, |
| Toronto, Ontario | |
| 1994 | Jury member; “B” Grant, Manitoba Arts Council, Winnipeg, Manitoba |
| 1982 | Jury member; group exhibition, Walter Phillips Gallery, Banff, Alberta |
| Education | |
| MFA University of Windsor, Windsor, Ontario | |
| B.F.A., University of Quebec at Montreal, Quebec | |
| Professional Activity | |
| 2004 - | Associate Professor, Faculty of Art, Ontario College of Art and Design, Toronto, |
| present | Ontario |